Okay, so my posts on Apollo 11 have been a little Stanley Kubrick-esque. In the film 2001 (Wikipedia | IMDB), the proto-human throws a bone into the air where it is suddenly replaced by ship engaged in an elaborate docking maneuver with a rotating space station, set to Strauss’s waltz, Blue Danube. It is one of my favorite scenes in all of cinematography because of its purely aural-visual implication of the technological continuum from the first tool through the most unrecognizably advanced, and then, in the dance of space ships, the humaneness of otherwise inhuman machines .
On space maneuvers being like dance, here’s the official NASA Apollo 11 Spacecraft Commentary from the radio broadcast of the mission explaining what’s going to happen during the docking maneuvers of Command Module Columbia and Lunar Module Eagle (APOLLO 11 MISSION COMMENTARY, NASA, Manned Spaceflight Center, Houston, TX, 7/21/69 CDT 13:40, GET 125:08, 413/1, p. 466):
In all of these maneuvers Mike Collins aboard Columbia is spring loaded to do what is called a mirror image maneuver approximately a minute after the Eagle is scheduled to make its maneuver, and if for some reason Eagle can not make the maneuver, Collins would do the exact same maneuver only in reverse so that Columbia would in effect begin a CSM active rendezvous with Eagle.
The dance analogy seems apt here because, like Ginger Rogers with Fred Astaire, Michael Collins had to do everything that Buzz Aldrin did, only backwards and in a command module.