NASA is currently streaming the complete mission recording of Apollo 11 in real time in recognition of the 40th anniversary of the first manned Moon landing.
It feels appropriate to listen to an Apollo 11 cycle, so to speak. This is a performance of an incredible history and a true adventure. This is our Odyssey. The Iliad and the Odyssey were typically performed over three nights. Apollo 11 was four days from launch to touchdown on the Moon (16-20 July 1969; splashdown back on Earth 24 July). John F. Kennedy, Wernher von Braun, Neil Armstrong are our Homer, Agamemnon, Akhilleus and Priam.
I have heard it explained that part of the reason that Joyce’s Ulysses is such a pastiche is that he was trying to cram all the language of Dublin into a single work. Similarly, this week I was talking with some people about the way that David Foster Wallace appropriated the languages of commercial communication, technical writing, bureaucratic memoranda or the casual writing of e-mail to the purpose of literature. The language of our Odyssey is not Dublin bar talk, lyrical poetry or bard’s tale, but bureaucratese, engineering-speak: gage readings, mission book codes, equipment test reports, pre-burn checklists. Instead of the lyre and drum, we have the harmonics of white noise — a combination of the cosmic background radiation and electromagnetic interference of the communication and recording gear itself — and the synthetic electronic beeps of computers.